American Academic Painter, 1849-1903, American artist, was born at Boston, Massachusetts, in 1849. He was a pupil of Leon Bonnat and of Jean-Leon Gerome, at Paris. He made many voyages to the East, and was distinguished as a painter of oriental scenes. In 1895 he wrote and illustrated a book of travels, From the Black Sea through Persia and India, and two years later he published Episodes of Mountaineering. He died in November 1903. He was a member of the Legion d'honneur, France, an officer of the Order of St. Michael, Germany, and a member of the Secession, Munich.   Related Paintings of Edwin Lord Weeks :. | The Old Blue-Tiled Mosque Outside of Delhi, India | The Vase Seller | Study of a Warrior. | Curiously Wrought Red Sandstone Arches Fort Agra India | Gate of the Fortress at Agra, India |
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robert john thornton
Robert John Thornton (1768-1837) was an English physician and botanical writer, noted for "A New Illustration of the Sexual System of Carolus Von Linnæus" (1797-1807) and "The British Flora" of 1812. He was the son of Bonnell Thornton and studied at Trinity College, Cambridge. Inspired by Thomas Martyn's lectures on botany and the work of Linnaeus he switched from the church to medicine. He worked at Guy's Hospital in London, where he later lectured in medical botany. After spending some time abroad, he settled and practised in London. Robert inherited the family fortune after the death of both his brother and mother. The most ambitious part of the "New Illustration of the Sexual System of Linnæus" was Part III, the "Temple of Flora" (1799-1807). The first plates were engraved by Thomas Medland (1755-1833) in May 1798 from paintings by Philip Reinagle. Between 1798 and 1807 they produced a total of thirty-three coloured plates, engraved in aquatint, stipple and line. When he planned the project, Thornton had decided to publish seventy folio-size plates. Lack of interest from the general public spelled disaster for the scheme, and the holding of a lottery could not save it from financial ruin, neither did a page in the work dedicated to the spouse of George III, Queen Charlotte, patroness of botany and the fine arts??Thornton died in destitution.
William Sidney Mount
1807-1868 William Sidney Mount Galleries William Sidney Mount (November 26, 1807 ?C November 19, 1868) born in Setauket, New York was a renowned genre painter and contemporary of the Hudson River School. Mount trained at the National Academy of Design in New York. Two of his more famous paintings are Eel Spearing at Setauket (1845, New York State Historical Association, Cooperstown) and Bargaining for a Horse (1835, New-York Historical Society, New York City). Beginning as a history painter, Mount moved to depicting scenes from everyday life. The largest collection of his works is located in The Long Island Museum of American Art, History, and Carriages His home and studio, the William Sidney Mount House, is a National Historic Landmark. One of the local elementary schools in The Three Village Central School District is named in his honor, as is PS 174 elementary school in Rego Park, Queens. A residential building is named after him on the Stony Brook University campus.
Jean-Martial Fredou
Jean-Martial Fredou (28 January 1710 e 1795) was a French painter known for his portraits. Born at Fontenay-Saint-Pere, Fredou was attached to the Cabinet du Roi housed in the Hôtel de la Surintendance at Versailles, where he was commissioned to render duplicates of official portraits of the French royal family painted by Jean-Marc Nattier, Maurice Quentin de La Tour, Louis-Michel Van Loo, Alexander Roslin or Joseph Siffred Duplessis. In his own commissions he often borrowed elements from the original works of these painters, for he was a deft portraitist himself. Between 1760 and 1762 the dauphine Marie-Josephe de Saxe, daughter-in-law of Louis XV commissioned informal portraits of herself and her children, for her own use. These portraits, whether in oil or drawn aux trois crayons, touched with pastels, have freshness and life. A modest commission came from the Dauphin and Dauphine in 1757: in 1748 they had earth brought in to the little courtyard of their private apartments at the château de Versailles, closed in with trelliswork, to make a little garden; and Fredou was commissiomed to paint two perspective panels to enlarge the little space.[1] Fredou was never made a member of the Academie Royale de Peinture et de Sculpture, but he was made First Painter to the comte de Provence in 1776 upon the death of François-Hubert Drouais.